As Fong recounts “Luckily with Jess, in that her family is connected with La Chaux-de-Fonds, I wanted to design every piece on our watch, like down to the crown, down to our logo. We even created our own font for ourselves. We thought about everything, down to the packaging where we created… Because we really wanted to inspire people to wear their timepiece all the time, we created a watch stand in the packaging, so they would display, as well as remind them to put on their timepiece.”
The design of their first collection was guided by their backgrounds, tastes, and influences. “Even with the crown, it’s an inside facet, because in Chinese culture, it’s based in the feng shui world. It deflects evil in that sense.”
The follow up
Stereo Collection takes this concept and turns it up to 11. The whole series is designed with the inspiration of high-end, analog stereo systems at its heart, even going so far as to redesign the date wheel. “I do intense research when I design collections,” Fong continues, “and I really fell in love with vintage audio systems and how the volume dial had a little notch, and I took that inspiration and interpreted and had the numbers etched into the ring where we had that slash, like in a volume dial, that it would rotate the 30 days that we could have that visual indicator without actually having to read the numbers. So, that was sort of my interpretation of our date disc.
This is all to say that Vieren is a brand that, despite its relative youth, has grand ambitions, inspired and dynamic influences, and the means, knowhow, and will to combine it all into a growing collection. In a sea of new brands (often beginning with agonizingly similar designs) it’s refreshing to see a watch a brand like Vieren set its own course, feeling entirely dedicated to its own vision. Without a doubt, we can expect more of the same, which is to say, very, very different watches from them in the years to come.
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Revolution.